Algus Greenspon – Mathew Cerletty

Born 1980 in Wauwatosa, Wisconsin, USA. Lives and works in New York.

Education

2002	BFA, Boston University

Solo Exhibitions

2011	Susan, Algus Greenspon, New York, NY
2008	Hotpoints, Office Baroque Gallery, Antwerp, BE
2007	The Feeling Is Mutual, Team Gallery, New York, NY (in cooperation with Rivington Arms, New York)
2006	Fallingwater, Rivington Arms, New York, NY
2004	Alter Ego, Rivington Arms, New York, NY
2003	Trying to Live Beside the Point, Rivington Arms, New York, NY

Group Exhibitions

2013	Notes on Neo-Camp, Curated by Chris Sharp, Office Baroque, Brussels, BE
2012	Perros Negros Presents Perros Negros A Post-Posteriori, New Jerseyy, Basel, CH I Know This But You Feel Different, Marc Jancou, New York, NY Mathew Cerletty / Sean Kennedy / Mateo Tannatt, Mary Mary, Glasgow, UK
2011	Heads with Tails, Harris Lieberman, New York, NY Discursive Arrangements or Stubbornly Persistent Illusions, Klaus von Nichtssagend Gallery, New York, NY Cover Version LP, Brooklyn Academy of Music, Brooklyn, NY
2010	Public Private Paintings, 2000 – 2010, PMMK, Oostende, BE It’s All American, curated by Alex Gartenfeld and Haley Mellin, New Jersey Moca, Red Bank, NJ The Coke Factory, Ritter/Zamet, London, UK Item, Mitchell Innes & Nash, New York, NY Matthew Brannon, Mathew Cerletty, David Diao and Daniel Sinsel, Office Baroque, Brussels, BE
2009	Character Generator, Eleven Rivington, New York, NY The Living and the Dead, Gavin Brown’s Enterprise, New York, NY
2008	8 1/2 x 11 / A4, James Fuentes LLC, New York, NY Painting Now and Forever, Part II, Matthew Marks Gallery / Greene Naftali, New York, NY Not So Subtle Subtitle, curated by Matthew Brannon, Casey Kaplan Gallery, New York, NY Cover Version, Taylor de Cordoba Gallery, Los Angeles, CA
2007	Sweet Bird of Youth, Arndt & Partner, Berlin, DE Block Party II, Daniel Weinberg, Los Angeles, CA On the Marriage Broker Joke, Office Baroque Gallery, Antwerp, BE
2006	USA Today, State Hermitage Museum, St. Petersburg / Royal Academy of Arts, London, UK I Love My Scene, Mary Boone Gallery, New York, NY Goodbye To All That, Rivington Arms, New York, NY
2005	David Altmejd, Mathew Cerletty, Kristen Evergerb, Alisa Margolis and Sophie von Hellermann, Galerie Ghislaine Hussenot, Paris, FR Neocon, Gavin Brown’s Enterprise at Passerby, New York, NY Art Review 25: Emerging US Artists, Phillips, de Pury & Company, New York, NY
2004	Now Is A Good Time, Andrea Rosen Gallery, New York, NY Such things I do just to make myself more attractive to you, Peres Projects, Los Angeles, CA
2003	Be In, Rivington Arms, New York, NY Today’s Man, John Connelly Presents, New York / Hiromi Yoshii Gallery, Tokyo, JA
2002	I Kept All Your Letters, Rivington Arms, New York, NY

Curated Exhibitions

2013

The Stairs, curated by Sebastian Black and Mathew Cerletty, Algus Greenspon, New York, NY

2005

Neocon, curated by Mathew Cerletty and David Scanavino, Gavin Brown’s Enterprise at Passerby, New York, NY

Monographs & Solo Exhibition Catalogues

2009	The Feeling is Mutual. Text by Michael Wang. Rivington Arms, New York (exh. cat.)

Selected Press & Publications

2012	Greenberg, David, ‘Mathew Cerletty’, Art In America, February 12, 2012
2011	Johnson, Ken, ‘Mathew Cerletty, Susan’, The New York Times, November 23, 2011 O’Reilly, Adam, ‘Mathew Cerletty Makes Memories’, Interview, November 7, 2011
2009	Sarah Douglas, ‘The David Brooks School of Painting’, Artinfo.com, October 14 A Magazine, Issue 9, p. 25 (curated by Proenza Schouler)
2008	Jos van den Bergh, ‘Mathew Cerletty, Office Baroque Gallery’, Artforum, March, pp. 256-257 Bernard Dewulf, ‘Radar’, Weekend Knack, November
2007	David Greenberg, ‘The Economist’, aNYthing glob, 12 November Carlo McCormick, ‘Mathew Cerletty’, Interview, November, pp. 48–9 Carlo McCormick, ‘The New Pop A-List’, Interview, June, p. 88 ‘Mathew Cerletty’, The New Yorker, 26 November, p. 20. Daniel Volzke, ‘Jugend Erforscht’, Monopol, August, p. 127
2006	A. M. Homes & Hedi Slimane, ‘The Way They Work’, Vanity Fair, November, pp. 355–7 Cate McQuaid, ‘Mathew Cerletty: Falling Water’, The Boston Globe, 5 October Charlotte Mullins, Painting People: Figure Painting Today, Distributed Art Publishers Jason Schmidt, Artists, Edition 7L / Steidl USA Today, Royal Academy of Arts Press
2005	Daniel Kunitz & Joao Ribas, ‘The Art Review 25: Emerging US Artists’, Art Review, March, p. 114 Jason Schmidt, ‘Work in Progress’, V Magazine, February, p. 66
2004	Jack Bankowsky, ‘Best of 2004’, Artforum, December, pp. 162–3 Christopher Bollen, ‘Openings: Mathew Cerletty’, Artforum, April, pp. 148–9 Julia Morton, ‘Alter Ego: Mathew Cerletty’, New York Press, October 13, p. 60 Joao Ribas, ‘Mathew Cerletty’, Art Review, November, p. 144
2003	Christopher Bollen, ‘Mathew Cerletty’, Artforum, May, 2004, p. 148 – 49 Holland Cotter, ‘Mathew Cerletty’, The New York Times, March 14, p. B39 Melissa Gronlund, ‘New York: Rivington Arms’, Contemporary, Issue 51, p. 85 ‘Mathew Cerletty’, The New Yorker, March 31, pp. 18, 20
2002	Holland Cotter, ‘I Kept All Your Letters’, The New York Times, May 24, p. B37 Ana Honigman, ‘I Kept All Your Letters’, Time Out New York, May 16, p. 41 Felicity Loughrey, ‘Mathew Cerletty: Self Aware’, Oyster, Issue 41, p. 19