Mathew Cerletty
Born 1980 in Wauwatosa, Wisconsin, USA. Lives and works in New York.
Solo Exhibitions
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2011 |
Susan, Algus Greenspon, New York, November 5 – December 23 |
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2008 |
Hotpoints, Office Baroque Gallery, Antwerp |
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2007 |
The Feeling Is Mutual, Team Gallery, New York (in cooperation with Rivington Arms) |
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2006 |
Fallingwater, Rivington Arms, New York / Sherman Gallery, Boston University |
|
2004 |
Alter Ego, Rivington Arms, New York |
|
2003 |
Trying to Live Beside the Point, Rivington Arms, New York |
Group Exhibitions
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2011 |
Heads with Tails, Harris Lieberman, New York, August 11- September 9 Discursive Arrangements or Stubbornly Persistent Illusions, Klaus von Nichtssagend Gallery, New York Cover Version LP, Brooklyn Academy of Music, Brooklyn |
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2010 |
Public Private Paintings. 2000 – 2010: tien jaar schilderkunst uit publieke en privécollecties in Vlaanderen en Brussel, MuZee, Oostende It’s All American, Inaugural Exhibition, (curated by Alex Gartenfeld and Haley Mellin), New Jersey Moca, New Jersey The Coke Factory, Ritter/Zamet, London Item, Mitchell, Innes & Nash, New York Matthew Brannon, Mathew Cerletty, David Diao and Daniel Sinsel, Office Baroque, Jan-March |
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2009 |
Character Generator, Eleven Rivington, New York The Living and the Dead, Gavin Brown’s enterprise, New York |
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2008 |
8 1/2 x 11 / A4, James Fuentes LLC, New York Painting Now and Forever, Part II, Matthew Marks Gallery / Greene Naftali, New York Not So Subtle Subtitle, Casey Kaplan Gallery, New York (curated by Matthew Brannon) Cover Version, Taylor de Cordoba Gallery, Los Angeles |
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2007 |
Sweet Bird of Youth, Arndt & Partner, Berlin Block Party II, Daniel Weinberg, Los Angeles On the Marriage Broker Joke, Office Baroque Gallery, Antwerp |
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2006 |
USA Today, State Hermitage Museum, St. Petersburg / Royal Academy of Arts, London I Love My Scene, Mary Boone Gallery, New York Goodbye To All That, Rivington Arms, New York |
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2005 |
David Altmejd, Mathew Cerletty, Kirsten Everberg, Alisa Margolis and Sophie von Hellermann, Galerie Hussenot, Paris Neocon, Gavin Brown’s Enterprise at Passerby, New York Art Review 25: Emerging US Artists, Phillips, de Pury & Company, New York |
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2004 |
Now Is A Good Time, Andrea Rosen Gallery, New York Such things I do just to make myself more attractive to you, Peres Projects, Los Angeles |
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2003 |
Be In, Rivington Arms, New York Today’s Man, John Connelly Presents, New York / Hiromi Yoshii Gallery, Tokyo |
|
2002 |
I Kept All Your Letters, Rivington Arms, New York |
- Sharp, Chris, "Camp + Dandyism = Neo-Camp." Kaleidoscope, Spring 2012
- Greenberg, David, "Mathew Cerletty, Algus Greenspon." Art in America, February 2012
- Johnson, Ken, "Mathew Cerletty: ‘Susan’." The New York Times, November 25, 2011
- Van den Bergh, Jos, "Mathew Cerletty, Office Baroque Gallery." Artforum, March 2008
- "Mathew Cerletty." The New Yorker, November 26, 2007
- A. M. Homes & Hedi Slimane, "The Way They Work." Vanity Fair, November 2006
- Bankowsky, Jack, "Best of 2004." Artforum, December 2004
- Ribas, João, "Mathew Cerletty." Art Review, November 2004
- Bollen, Christopher, "Openings: Mathew Cerletty." Artforum, April 2004
- Cotter, Holland, "ART IN REVIEW; Mathew Cerletty." The New York Times, March 14, 2003