Mathew Cerletty
Born 1980 in Wauwatosa, Wisconsin, USA. Lives and works in New York.
Education
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2002 |
BFA, Boston University |
Solo Exhibitions
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2011 |
Susan, Algus Greenspon, New York, NY
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2008 |
Hotpoints, Office Baroque Gallery, Antwerp, BE
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2007 |
The Feeling Is Mutual, Team Gallery, New York, NY (in cooperation with Rivington Arms, New York)
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2006 |
Fallingwater, Rivington Arms, New York, NY
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2004 |
Alter Ego, Rivington Arms, New York, NY
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2003 |
Trying to Live Beside the Point, Rivington Arms, New York, NY |
Group Exhibitions
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2013 |
Notes on Neo-Camp, Curated by Chris Sharp, Office Baroque, Brussels, BE
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2012 |
Perros Negros Presents Perros Negros A Post-Posteriori, New Jerseyy, Basel, CH I Know This But You Feel Different, Marc Jancou, New York, NY Mathew Cerletty / Sean Kennedy / Mateo Tannatt, Mary Mary, Glasgow, UK
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2011 |
Heads with Tails, Harris Lieberman, New York, NY Discursive Arrangements or Stubbornly Persistent Illusions, Klaus von Nichtssagend Gallery, New York, NY Cover Version LP, Brooklyn Academy of Music, Brooklyn, NY
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2010 |
Public Private Paintings, 2000 – 2010, PMMK, Oostende, BE It’s All American, curated by Alex Gartenfeld and Haley Mellin, New Jersey Moca, Red Bank, NJ The Coke Factory, Ritter/Zamet, London, UK Item, Mitchell Innes & Nash, New York, NY Matthew Brannon, Mathew Cerletty, David Diao and Daniel Sinsel, Office Baroque, Brussels, BE
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2009 |
Character Generator, Eleven Rivington, New York, NY The Living and the Dead, Gavin Brown’s Enterprise, New York, NY
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2008 |
8 1/2 x 11 / A4, James Fuentes LLC, New York, NY Painting Now and Forever, Part II, Matthew Marks Gallery / Greene Naftali, New York, NY Not So Subtle Subtitle, curated by Matthew Brannon, Casey Kaplan Gallery, New York, NY Cover Version, Taylor de Cordoba Gallery, Los Angeles, CA
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2007 |
Sweet Bird of Youth, Arndt & Partner, Berlin, DE Block Party II, Daniel Weinberg, Los Angeles, CA On the Marriage Broker Joke, Office Baroque Gallery, Antwerp, BE
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2006 |
USA Today, State Hermitage Museum, St. Petersburg / Royal Academy of Arts, London, UK I Love My Scene, Mary Boone Gallery, New York, NY Goodbye To All That, Rivington Arms, New York, NY
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2005 |
David Altmejd, Mathew Cerletty, Kristen Evergerb, Alisa Margolis and Sophie von Hellermann, Galerie Ghislaine Hussenot, Paris, FR Neocon, Gavin Brown’s Enterprise at Passerby, New York, NY Art Review 25: Emerging US Artists, Phillips, de Pury & Company, New York, NY
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2004 |
Now Is A Good Time, Andrea Rosen Gallery, New York, NY Such things I do just to make myself more attractive to you, Peres Projects, Los Angeles, CA
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2003 |
Be In, Rivington Arms, New York, NY Today’s Man, John Connelly Presents, New York / Hiromi Yoshii Gallery, Tokyo, JA
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2002 |
I Kept All Your Letters, Rivington Arms, New York, NY |
Curated Exhibitions
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2013 |
The Stairs, curated by Sebastian Black and Mathew Cerletty, Algus Greenspon, New York, NY
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2005 |
Neocon, curated by Mathew Cerletty and David Scanavino, Gavin Brown’s Enterprise at Passerby, New York, NY |
Monographs & Solo Exhibition Catalogues
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2009 |
The Feeling is Mutual. Text by Michael Wang. Rivington Arms, New York (exh. cat.) |
Selected Press & Publications
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2012 |
Greenberg, David, ‘Mathew Cerletty’, Art In America, February 12, 2012
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2011 |
Johnson, Ken, ‘Mathew Cerletty, Susan’, The New York Times, November 23, 2011 O’Reilly, Adam, ‘Mathew Cerletty Makes Memories’, Interview, November 7, 2011
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2009 |
Sarah Douglas, ‘The David Brooks School of Painting’, Artinfo.com, October 14 A Magazine, Issue 9, p. 25 (curated by Proenza Schouler)
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2008 |
Jos van den Bergh, ‘Mathew Cerletty, Office Baroque Gallery’, Artforum, March, pp. 256-257 Bernard Dewulf, ‘Radar’, Weekend Knack, November
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2007 |
David Greenberg, ‘The Economist’, aNYthing glob, 12 November Carlo McCormick, ‘Mathew Cerletty’, Interview, November, pp. 48–9 Carlo McCormick, ‘The New Pop A-List’, Interview, June, p. 88 ‘Mathew Cerletty’, The New Yorker, 26 November, p. 20. Daniel Volzke, ‘Jugend Erforscht’, Monopol, August, p. 127
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2006 |
A. M. Homes & Hedi Slimane, ‘The Way They Work’, Vanity Fair, November, pp. 355–7 Cate McQuaid, ‘Mathew Cerletty: Falling Water’, The Boston Globe, 5 October Charlotte Mullins, Painting People: Figure Painting Today, Distributed Art Publishers Jason Schmidt, Artists, Edition 7L / Steidl USA Today, Royal Academy of Arts Press
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2005 |
Daniel Kunitz & Joao Ribas, ‘The Art Review 25: Emerging US Artists’, Art Review, March, p. 114 Jason Schmidt, ‘Work in Progress’, V Magazine, February, p. 66
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2004 |
Jack Bankowsky, ‘Best of 2004’, Artforum, December, pp. 162–3 Christopher Bollen, ‘Openings: Mathew Cerletty’, Artforum, April, pp. 148–9 Julia Morton, ‘Alter Ego: Mathew Cerletty’, New York Press, October 13, p. 60 Joao Ribas, ‘Mathew Cerletty’, Art Review, November, p. 144
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2003 |
Christopher Bollen, ‘Mathew Cerletty’, Artforum, May, 2004, p. 148 – 49 Holland Cotter, ‘Mathew Cerletty’, The New York Times, March 14, p. B39 Melissa Gronlund, ‘New York: Rivington Arms’, Contemporary, Issue 51, p. 85 ‘Mathew Cerletty’, The New Yorker, March 31, pp. 18, 20
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2002 |
Holland Cotter, ‘I Kept All Your Letters’, The New York Times, May 24, p. B37 Ana Honigman, ‘I Kept All Your Letters’, Time Out New York, May 16, p. 41 Felicity Loughrey, ‘Mathew Cerletty: Self Aware’, Oyster, Issue 41, p. 19 |
- Sharp, Chris, "Camp + Dandyism = Neo-Camp." Kaleidoscope, Spring 2012
- Greenberg, David, "Mathew Cerletty." Art in America, February 2012
- Johnson, Ken, "Mathew Cerletty, Susan." The New York Times, November 2011
- O'Reilly, Adam, "Mathew Cetletty Makes Memories." Interview, November 2011
- Bergh, Jos van den, "Mathew Cerletty, Office Baroque Gallery." Artforum, March 2009
- "Mathew Cerletty." The New Yorker, November 26, 2007 pp. 20
- A. M. Homes & Hedi Slimane, "The Way They Work." Vanity Fair, November 2006
- Bankowsky, Jack, "Best of 2004: 13 Top Tens." Artforum, December 2004
- Bollen, Christopher, "Openings: Mathew Cerletty." Artforum, April 2004
- Cotter, Holland, "Mathew Cerletty." The New York Times, March 2003 p. B39



















